About Me
In the modern world, where technology and mass production dominate, my work invites people to stop, feel, and regain a connection with nature and authenticity.
I, Donatas Šopis, am a creator whose greatest passion is to create through intuition, sensitivity, and the exploration of living systems. My works are a reflection of nature’s perfection and an invitation to let its harmony into everyday life. I see the world as a model of harmony, where humans and nature interact harmoniously. In my work, I aim to reveal life and its beauty, encouraging people to recognize its importance for us and the environment.
For me, the world is a model of balance, where nature and people dance a subtle yet deep dance. Organic shapes, natural material surfaces, and their authenticity inspire my work. I invite not only to admire my works, but also to raise questions about sustainability, the human impact on the environment, and the need for conscious living. Every day for me starts with exercise, breathing exercises, and meditation. These rituals allow me to stop, listen to myself, and feel inner clarity. These disciplines not only calm the mind, but also help strengthen awareness and the connection between body and spirit.
I believe that we are like a unified, constantly growing organism. When we allow ourselves to grow, we expand both inside and out. However, when we stop this process, internal imbalance arises, leading to tension, doubts, and anxiety. Growth occurs through realization and sharing, through the ability to see ourselves in a broader context. This is a holistic approach, where everything is interconnected, and everything works together – body, mind, emotions, and the environment.
Authenticity and Naturalness
The most important thing in my work is authenticity. I consciously emphasize what is often considered “flaws” or “imperfections” – cracks, unevenness, organic deformations. These elements are not mistakes, but part of true beauty, bringing us closer to our understanding. In this way, I challenge societal standards and the norms of excessive consumption, encouraging a longing for authenticity.
My approach combines science, art, and philosophy, aiming to create works that are not only aesthetically appealing but also encourage people to think and engage in important topics like sustainability. I am convinced that many modern consumption habits arise from a suppressed desire for authenticity. My works aim to break down the cultural codes that imprison us and help us discover our authenticity.
Sustainability is not just recycling or eco-friendly practices – it is a fundamental shift in perspective. True sustainability starts with self-awareness, conscious choices, and a thoughtful lifestyle. I work with materials that are often considered unnecessary or waste, but I see potential in them. I gather wood from waste yards, and creation comes from what I have at the moment – this process forces me to seek new solutions and allows me to reveal creative potential. Sustainability, for me, begins with ourselves – with the conscious understanding of ourselves. Where does the true source of consumption need lie? Why do we seek to accumulate matter, form relationships, or attach ourselves to certain people? In my opinion, this stems from not accepting ourselves as we are. The desire to meet societal norms drives consumption – both of things, relationships, and emotions.
However, when we recognize our authenticity and understand the inner roots of this desire, we can free ourselves from excess. My works are not just objects – they invite us to experience, feel, and reflect ourselves. They help us understand not only why they are beautiful but also why we are whole without unnecessary additions.
Rethinking and Rediscovering
My work is more than just aesthetically pleasing objects. It is a philosophical journey into the essence of nature and our relationship with it. Every creation is a continuous dialogue with materials, through which I discover authenticity, beauty, and meaning. Nature itself dictates the design of my works, and the creative process opens up new perspectives and possibilities.
We live in times when the gap between humans and nature is becoming ever greater. My works invite you to pause, rethink, and connect with deeper truths—about yourself, the world, and the balance between them. I do not work on a commission basis because my goal is to encourage people to discover their creative potential and view the world with fresh eyes. This approach is also close to the principle of circularity—value is created from what already exists, giving it new meaning. My work is an invitation to find beauty in imperfection, to appreciate what is real, and to return to a harmonious existence where art, nature, and humans create in unity.
Constantly Evolving Creativity and New Visions
I do not limit myself to a single creative path—my work is a constantly evolving process, seeking new meanings and innovative forms. My latest projects embody this approach, merging sustainability, the philosophy of art, and bold experimentation with materials.
One of my most recent projects involves products made from secondary raw materials. This work incorporates construction materials left over from production processes: concrete and glass. The idea was born when I noticed a pile of concrete debris. Their organic, irregular shapes fascinated me with their uniqueness—each fragment of concrete became a distinctive art object. In my work, concrete symbolizes a heavy balance, while glass acts as a subtle support, providing stability and light effects.
Waste from glass production—cuttings, defective fragments—also finds new life in an artistic context instead of being disposed of through energy-intensive means. In this project, art becomes not only a visual object but also a deeper reflection on humanity’s relationship with materials that are often perceived as “waste.” I invite you to see things differently—not as imperfections, but as uniqueness; not as flaws, but as opportunities. Every creation becomes a metaphor for human authenticity: it invites us to accept ourselves as we are—without masking or concealing—because true value lies in naturalness.
New Interpretation: Graffiti on Furniture
Another creative experiment involves graffiti on furniture with provocative elements. I use bright colors, contrasting visuals, and irony to push the boundaries of social norms.
The goal is to bring life into modern, sterile, trend-driven interior aesthetics. I want to bring back playfulness, allowing people to express their inner child. Graffiti on furniture becomes a rebellious form of art that not only gives space character but also raises questions about consumerist attitudes toward design, material recycling, and the meaning of creativity.
Utilizing What Already Exists
The approach to creativity reflects the philosophy of sustainability: “Use what you have because we already have so much—we just need to learn how to see it.” In the creative process, materials are not altered or masked—they are accepted as they are and combined in new, unseen ways. This perspective allows for the creation of unique products that not only go beyond standard design limits but also propose a new way of thinking about what is considered valuable.
In a world dominated by uniformity and overproduction, my works invite people to return to diversity. I compare my creations to a forest where no two trees are the same—each has its own shape, uniqueness, and story, which makes the forest a place we want to return to. The same applies to people: we are not identical, and that is our strength. Through my work, I remind people that true value lies not in sterility or norms but in life, growth, and discovery.
“Creativity is a continuous experiment that not only liberates forms but also encourages us to rethink our approach to materials, design, and life itself. The only limits exist within us, and art is the tool to surpass them.”
Creative Process: Nature as a Co-Creator
