NOT FROM NEW. FROM WHAT IS. WHAT IS INVISIBLE.
A collection from raw materials that already existed.
This collection is not created from newly produced materials. It is made from what is left. From what is often considered unnecessary – concrete remnants, broken glass, street fragments, structural details that were once invisible. Nothing is changed here. It is not cut, melted, or polished beyond recognition. This is not a design invasion, but a connection. We connect what already has a form, texture, and history.
STREET + CLEANLINESS
This collection is the energy of street art brought into a sterile space. It is an aesthetic of contrast that does not force you to choose between “beautiful” and “uncomfortable”. The pulse of graffiti, the breath of the city, the poetics of the edges of the street. Concrete here is no longer cold – it speaks, it remembers, it pulsates. This is a body in which time lives. The form in which the message is left. Brutality does not interfere – it grounds. The chaos of the city becomes a visual nugget when introduced into a clean, refined space. It is like dirty hands in a white gallery – and that is why the message comes across clearly.
THE LANGUAGE OF MATERIALS
This is not recycling, but reusing. Raw materials do not change their essence – they take on a different role. What was pavement becomes a surface. What was considered waste – becomes an aesthetic center. Concrete – not a problem, but balance. Glass – not fragility, but an authentic sign that something has been lived in. Mass, weight, lack – this is what creates stability and character.
IN THE CITY – LIKE IN THE FOREST.
Rubble, remnants, broken concrete – here are like fallen leaves. Not garbage, but the beginning of a new form. Like leaves in the soil, they decay, nourish, become the basis for something new. And so these materials are not an end, but a turning point. Quietly, without advertising, they allow a different aesthetic to be born. A different perception. And perhaps – a different relationship with oneself.
SEED AND FOUNDATION
This collection is a seed of an attitude. When you sow it – a different vision grows. A vision that value is not price. Beauty is not sterility. New is not necessarily better. It is an invitation to see not an end, but a possibility. Each object is like a fragment of soil where a new aesthetic culture can grow.
SIMPLICITY = SUSTAINABILITY
Efficiency here means simplicity. Less processing = less energy = more meaning. This is design without excess. Sustainability without declarations, beauty without filters. We do not cut, we do not glue, we do not shape according to our own rules. We let the material speak. We connect. And let it live.
NOT CORRECTED BUT ACCEPTED
Each piece is not a correction, but an acceptance. Not a transformation into perfection, but an emphasis on the imperfect. Like a person – with everything they carry. Like a city – with scars, noises and stories. It is an aesthetic compassion combined with function.
Not an END, but a BEGINNINGv
It is a collection, but also a movement. It is objects, but also a position. It is not the end of materials – it is the beginning of their new life. Like a leaf in the soil that allows everything that is yet to come to sprout.