Mirror freedom
NR. 012
This mirror is made of concrete blocks – leftovers from a manufacturing process that would otherwise have simply become construction waste. On it – the word “Freedom”, painted in a bright, playful font that contrasts with the rough textures of the concrete. The inscription not only reminds us of the former Kaunas cinema, but also invites us to reconsider what freedom means today – individually and socially.
The cracked corner of the mirror is a natural mark of time and material, like a random moment that creates character. It is not a wound, but rather an unexpected fracture in the landscape – an expansion of the boundary, inviting us to look wider, not only at our own image, but also at the environment from which it arises.
*Price varies based on size and artwork detail.
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Mirror crater
NR. 018
The mirror is embedded in a chaotic pile of concrete – like a crater or an urban artifact. It is a frozen moment between construction and demolition, where massiveness merges with fragility.
The object speaks of the materiality of the city – what remains after change, demolition, renewal. The mirror becomes a window into itself, and the texture of the concrete – the surface of the earth, which hides the stories and memories of former buildings.
*Price varies based on size and artwork detail.
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Street light
NR. 015
City Light is a lamp that combines urban matter and existential warmth. Its base is a concrete block, once a city landmark or obstacle, now raised to a new format of existence. Imperfect, cracked, but authentic. On its surface are graffiti signs, like voices from underground tunnels, where a real city breathes. A thin, vertical rod grows out of this concrete – like time or thought rising upwards. At its top is a ball of warm light, like a gently brown-shining sun. Its rays are not dazzling, not demonstrative – it is not a decorative object, but a silent memory of the day, of the fragility and beauty of life. It is not a lamp – it is a fragment of life. It does not talk about perfection, but about survival, about the fact that every detail, even if it seems unnecessary, has the ability to transform. Not recreated, but salvaged – this construction speaks of saving raw materials not as a trend, but as a part of being. This creation is a reminder that even in the roughest material, light can be found. That beauty is revealed not on the surface, but in the story it carries with it. The light of the city not only warms the space, but also reminds us that it is possible to live differently.
*Price varies based on size and artwork detail.
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Elephant
NR. 003
The Pink Elephant is a legendary piece of Kaunas street art. It was born from a simple tag – “Deima + Arūnas”, left by someone on the concrete fence of E. Ožeškienė Street. From a normal point of view, this inscription, like most others, can be called a mess, a mess, urban pollution. However, if you look at it from a different angle and take a closer look – it radiates sweet, positive feelings. “Pink feelings”, as the author of the work, V. Jakas, would say, painted an elephant next to the names of the immortalized lovers in 2014. This Pink Elephant embodies love, great tenderness and warm pink feelings.
*Price varies based on size and artwork detail.
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INVISIBLE
NOT FROM NEW. FROM WHAT IS. WHAT IS INVISIBLE.
A collection from raw materials that already existed.
This collection is not created from newly produced materials. It is made from what is left. From what is often considered unnecessary – concrete remnants, broken glass, street fragments, structural details that were once invisible. Nothing is changed here. It is not cut, melted, or polished beyond recognition. This is not a design invasion, but a connection. We connect what already has a form, texture, and history.
STREET + CLEANLINESS
This collection is the energy of street art brought into a sterile space. It is an aesthetic of contrast that does not force you to choose between “beautiful” and “uncomfortable”. The pulse of graffiti, the breath of the city, the poetics of the edges of the street. Concrete here is no longer cold – it speaks, it remembers, it pulsates. This is a body in which time lives. The form in which the message is left. Brutality does not interfere – it grounds. The chaos of the city becomes a visual nugget when introduced into a clean, refined space. It is like dirty hands in a white gallery – and that is why the message comes across clearly.
THE LANGUAGE OF MATERIALS
This is not recycling, but reusing. Raw materials do not change their essence – they take on a different role. What was pavement becomes a surface. What was considered waste – becomes an aesthetic center. Concrete – not a problem, but balance. Glass – not fragility, but an authentic sign that something has been lived in. Mass, weight, lack – this is what creates stability and character.
IN THE CITY – LIKE IN THE FOREST.
Rubble, remnants, broken concrete – here are like fallen leaves. Not garbage, but the beginning of a new form. Like leaves in the soil, they decay, nourish, become the basis for something new. And so these materials are not an end, but a turning point. Quietly, without advertising, they allow a different aesthetic to be born. A different perception. And perhaps – a different relationship with oneself.
SEED AND FOUNDATION
This collection is a seed of an attitude. When you sow it – a different vision grows. A vision that value is not price. Beauty is not sterility. New is not necessarily better. It is an invitation to see not an end, but a possibility. Each object is like a fragment of soil where a new aesthetic culture can grow.
SIMPLICITY = SUSTAINABILITY
Efficiency here means simplicity. Less processing = less energy = more meaning. This is design without excess. Sustainability without declarations, beauty without filters. We do not cut, we do not glue, we do not shape according to our own rules. We let the material speak. We connect. And let it live.
NOT CORRECTED BUT ACCEPTED
Each piece is not a correction, but an acceptance. Not a transformation into perfection, but an emphasis on the imperfect. Like a person – with everything they carry. Like a city – with scars, noises and stories. It is an aesthetic compassion combined with function.
Not an END, but a BEGINNINGv
It is a collection, but also a movement. It is objects, but also a position. It is not the end of materials – it is the beginning of their new life. Like a leaf in the soil that allows everything that is yet to come to sprout.
A Well
NR. 008
This coffee table is a synthesis of brutalism, street art and design! It is a unique combination of art and functionality, where the main accent is a salvaged concrete well ring. Originally defective and doomed to be forgotten, it is now reborn as a contemporary design object, embodying the ideas of reuse and rebirth.
The ring is not only a visual center, but also an essential structural part. A system of three metal legs pierces the concrete, thus creating a solid support for both the ring itself and the glass surface above. This detail is thought out not only from an engineering but also aesthetic point of view – the metal lines contrast with the brutal, uneven texture of the concrete, and the glass gives a feeling of lightness, as if floating in the air.
Decorated with original graffiti signs, this ring also becomes a manifestation of urban culture. The tags and drawings used have their own language – it is the voice of the city, transferred to the interior. A yellow, angular character with an expressed emotion, holding an ice cream cone. This figure symbolizes the struggle between the banality of everyday life and the rebellion of creativity – even an ice cream cone becomes a weapon here. A stylized bird, stepping forward. Its simplicity and courage represent freedom, movement and independence – the main values of street art. A bright, orange bubble-shaped character with a face and a cap. It exudes playfulness, but at the same time conveys a strong emotional charge. It is like the personification of the spirit of the city – smiling, but also ready to fight for its place. Three bees, perched on a concrete ring, between the city sign and the layer of street art, are a subtle but very meaningful element. These bees are like a bridge between the man-made world and nature, between the industrial legacy and the life that we can still preserve. The bees in this composition are not just random drawings. They are a reflection of security, connection and sustainability. Bees also symbolize the importance of community and interaction: just as they work together, so too can we work together to protect the world we live in.
It is not only an aesthetic detail, but also a profound ecological statement, inviting us to reflect on sustainability, nature conservation and the preservation of life – topics that are more important today than ever. Each graffiti, each line of concrete striations tells a story about the time, the street culture and the attitude of the creator. It is like a capsule of concrete and glass – brutal but warm, rebellious but harmonious.
*Price varies based on size and artwork detail.
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Lying curbs
NR. 006
It is like a symbol of duality, chaos/order. The haphazardly thrown street curbs are united by structures of order, tinted glass, which complement and connect each other. The ends of the curbs are like freedom, which has no rules, does not oblige the structure, allows you to make mistakes and grow through it. If you stumble, you can painfully remember this. Kaunas “Durna Antis” is depicted – a symbol of the city’s spirit.
This iconic character was born on the streets of Kaunas as a simple, ironic and slightly stupid bird. It symbolizes the freedom to create, a gentle spirit of rebellion and a humorous approach to city life. Not a pretension, but a look – at yourself, at the city, at the absurd everyday life. On the inner side of the curb, a brightly colored, closed-eyed bird is hiding – a street art metaphor about inner freedom and a creative state. His colorful writing and calm gaze invite you into a world where dreams and reality meet.
*Price varies based on size and artwork detail.
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Pierced
NR. 014
This is part of a rotating well ring, the support of which is a metal rod that also supports the glass. Like the balance of life, which, when maintained, reveals beauty. The glass is easily dismantled from the existing concrete base. The depicted greasy graffiti, along with a bright stylized animal with a brick, is a witty and unexpected work of Kaunas street art. It depicts an anthropomorphic animal (usually interpreted as a dog or a small animal) holding a red brick. What is it about: This symbol reflects the character of Kaunas city – tough, a little ironic, but at the same time creative and lively.
The brick in the animal’s hands is like a metaphor:
• For the defense of the city – the animal is ready to defend its territory.
• For construction – the brick symbolizes the renewal and growth of the city.
• For irony – it can also be a funny, sarcastic reference to “Kaunas toughness”.
It is an unofficial but recognizable symbol of the city, associated with Kaunas street culture, the artist Morfa, and the city’s alternative identity. It invites citizens not to take themselves too seriously, but at the same time to feel proud of their environment.
*Price varies based on size and artwork detail.
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Pink Panther
NR. 001
This work is a two-way visual story, in which both sides seem to talk to each other, and at the same time to the viewer. On one side – a bright, graffiti-style image of a pink panther with the inscription “Success” and dollar signs, conveying a synthesis of capitalist desires, pop culture and sarcasm. It is a brutal irony, embedded in heavy, raw concrete – a reminder that even industrial materials can become a platform for cultural commentary.
On the other side – a softer, but emotionally charged drawing: two simplified, almost childlike naive silhouettes, one of which extends its hand as if seeking connection. Their love – indefinite, formless, boundless. It is an expression of the inner world, contrasting with the aforementioned external symbolism of success.
The technical composition further strengthens this opposition. A heavy, textured concrete slab acts as a brutalist foundation that stands firm, with a clear material force. On top of it is mounted a lightweight, almost invisible glass – a contemporary design detail that creates a balance between brutality and elegance. Transparency, grace and subtlety merge with a raw, rough base – a perfect example of how an industrial object can transform into an expressive, functional work of art.
Not waste – but opportunity. This is an object that invites us to rethink the boundaries of materiality, emotional symbols and what we consider “value” through design and art.
*Price varies based on size and artwork detail.
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Face
NR. 004
This work speaks the language of the city – rough, straightforward, but at the same time sensitively revealing transience. The composition of concrete blocks evokes a sense of instability – they seem to be turning, barely held by a sheet of broken glass, which becomes not only a physical but also a symbolic support. Their cracked tops are like scars, silent stories about time, pressure, circumstances. These are fragments that were never supposed to be part of art – but here they become its essence. The glass between them – transparent, fragile, almost imperceptible – stretches the entire composition. As if holding everything together with the last forces. At the same time, it emphasizes the contrast between structure and fragility, between rationality and chaos. The face carved into one of the blocks is a subtle allusion to the visual language of Kaunas Old Town, which I saw on one of the walls of Kaunas Old Town. This face, transferred from street art to interior installation, creates a bridge between public and private space, between everyday life and art. This motif becomes like the soul of the city, transferred to a clean, minimalist context, in which every element – light, shadow, material – takes on a special meaning. This work asks – what remains when the city stops growing? Where does what was “just material” go? And can’t the accidentally split edges become the most authentic accents of art?
*Price varies based on size and artwork detail.